Best of: My favourite photo shoots for Alchemy England in 2019
February 28th, 2020
The following was adapted from an article originally posted at modellaesmeralda.blogspot.com.
This article is republished here with permission from the original author. You can read the full version by visiting their blog.
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As every year, I have been shooting many photos for Alchemy England’s catalogues in 2019 and also got to wear their beautiful jewellery for other occasions. As I have been looking back on some old photos and finally started blogging again, I thought it would be a good idea to make a little feature with my favourite photos from this years’ shoots!
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The Royal Armouries is one of the oldest museums in the world, founded in the 1400s in London’s famous White Tower, viewable by appointment only. By 1660, paying members of the public were invited to visit this extensive Royal collection of arms and armour. In 1991 a major shake-up was begun, and much of the collection moved to a purpose-built museum in the northern English city of Leeds, which opened to the public five years later. In recent years, the Armouries generated some controversy when they began to acquire weapons used on iconic TV shows and films, such as LORD OF THE RINGS and STAR WARS. 

Once upon a time, before Christmas became sanitised, Americanised and candy-coated by Santa Claus and Coca Cola, in Europe Yuletide was more ominous, weird, and occasionally downright scary than jolly. Few are better qualified to explore the dark side of the holiday season than the Folk Horror Revival group. ‘Folk’ has recently become the hottest buzzword in horror circles, ‘folk horror’ the term to describe that elusive area where rural folklore and arcane tradition intertwine with the ghostly and ghastly on page and screen. In early December of this year the Folk Horror Revival group held a symposium on all things spooky and seasonal they entitled Winter Ghosts 2019.
There are still places in this dreary world where you can escape and live in the fantastical if even only for one night. To step out in your finery and be the belle (or beast should you fancy) for the darkened hours. Danza Della Luna – dance beneath the moon – is now in its third year and this was by far the most spectacular. Not only did the patrons literally gasp when they walked into the magnificent gold gilded ball rooms of the Opera Ghent but the subsequent oohs and ahhs as they admired each other’s guises for the night filled the space between the beautiful cello chords. The theme was “The Fallen” and feathers, skulls, and black bejewelled fabrics were the order of the night. The backdrop of shiny opulence and chandeliers twinkling in mirrored panels gave an eerie reverence to the darker figures milling within. 
With Halloween just around the corner it seems like a good time to explore the history of the popular pumpkin-based lighting solution known as the jack-o’-lantern.
M’era Luna has always been about the people for me, and this year was no exception. Echoing the sentiment I hear over and over again from each festival goer I encounter: we are here to see old friends, make new ones and strengthen connections made over time and tide. But what makes this festival different from others is that this sentiment is not just shared amongst those on the ground but through the bands that play and into the festival organisation. 