Revenge of The Ultimate Alchemy Lockdown Filmfest III
July 24th, 2020Welcome to the third and final part of our journey to the darkest fringe of the underbelly of modern cinema. If this is the first you’ve heard of this, best to begin with the first two parts here – [Part 1] & [Part 2]. If you’ve already made your way through those crackpot classics and mutated masterpieces, here are your last dirty dozen. And it only gets weirder! Turn the lights down, and brace yourself for dodgy dinner parties, alcoholic werewolves, and the end of the world, vampire style! Hit the lights!…
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I know I’m not alone when I say that over the past few months I’ve watched a lot of films. A hell of a lot of films. I’ve also had friends – aware that I write about weird movies and cult cinema – asking for film recommendations. Particularly the low budget flicks with all of the blood, balls, and brains typically missing from big budget blockbusters. I ultimately collected these into a few social media posts, detailing three dozen films worth seeing that had largely gone under the radar, the neglected gems you’ve never heard of that are hidden in the depths of the streaming libraries. The posts proved very popular and it struck me that they might prove useful resource for others. Particularly in the current climate, where everyone’s exhausted all of the high profile new releases and reliable old favourites that Netflix, Amazon and co have to offer. 
The Royal Armouries is one of the oldest museums in the world, founded in the 1400s in London’s famous White Tower, viewable by appointment only. By 1660, paying members of the public were invited to visit this extensive Royal collection of arms and armour. In 1991 a major shake-up was begun, and much of the collection moved to a purpose-built museum in the northern English city of Leeds, which opened to the public five years later. In recent years, the Armouries generated some controversy when they began to acquire weapons used on iconic TV shows and films, such as LORD OF THE RINGS and STAR WARS. 
Once upon a time, before Christmas became sanitised, Americanised and candy-coated by Santa Claus and Coca Cola, in Europe Yuletide was more ominous, weird, and occasionally downright scary than jolly. Few are better qualified to explore the dark side of the holiday season than the Folk Horror Revival group. ‘Folk’ has recently become the hottest buzzword in horror circles, ‘folk horror’ the term to describe that elusive area where rural folklore and arcane tradition intertwine with the ghostly and ghastly on page and screen. In early December of this year the Folk Horror Revival group held a symposium on all things spooky and seasonal they entitled Winter Ghosts 2019. 
The Book of Revelation – the final book of the Bible – describes the coming end of the world. Written in the 1st Century AD, the author appeared to expect the Apocalypse to occur in their lifetime. Happily, they were disappointed, but Christians have remained fascinated by the subject ever since, with doomsayers keeping it alive by reinterpreting Revelation to refer to their own age, or creating their own version of the imminent End Times. During eras like the Middle Ages, when few people could read, such warnings needed to be communicated visually. 
Mary Shelley’s timeless masterwork FRANKENSTEIN was first published 200 years ago. Mary began writing the book when she was still a teenager, and it is now recognised as not only a landmark work of Gothic literature, but also arguably the first true science fiction novel. It is through cinema, though, that most have come to know her immortal creation, beginning in 1910 with the first film adaptation, a silent movie generally known as the Edison FRANKENSTEIN (it was produced by the famous inventor Thomas Edison). The film’s director deliberately downplayed the story’s horrific elements, and the resulting 14 minute film is more of an amusing, pioneering oddity than a horror classic. 
The hit Brit horror film GHOST STORIES has just become available to buy on DVD and Blu-ray. Andy Nyman, the film’s writer, director and star, originally hails from Alchemy’s hometown of Leicester. So we despatched our resident horror fiend, Gavin Baddeley, to talk to Andy, and get the inside story on this homegrown chiller. Andy co-created GHOST STORIES with Jeremy Dyson, who together initially wrote it as a stage play. In that form GHOST STORIES attracted rave reviews, running for over 1,000 terrifying performances between 2010 and 2015, concluding with an Australian tour the following year. 
You may be familiar with Peter Laws via his regular column reviewing horror films for the Fortean Times. Or perhaps his grisly thriller novels – Purged and Unleashed. What distinguishes Peter from most other horror critics and crime novelists is that he’s also an ordained Baptist priest – an unusual combination that’s earnt him the nickname the Sinister Minister.